„The coming-of-age subgenre is one well-trodden. But it’s one that deserves to be constantly updated through the generations and moving technology though it’s hard not to be repetitive. Fortunately, they can bend to any genre and any style which means there’s always that perfect one you can connect to.
Although I haven’t seen it just yet, this year’s The Way Way Back seems intended as mainstream nostalgia whereas The Kings of Summer is definitely in the contemporary indie vein though it seems to want it in all the styles and all the genres. It’s ambitious to have a script that wants to be part comedy, part serious and part comic.
But it never decides if it wants to be realistic or surrealistic and it really hurts the flow of the film. I quite liked its ideas on paper, however basic they were, but in execution, it falls short. It’s not because it’s without energy, in fact, it’s full to the brim, but it’s so overdone and forward that it hasn’t earned it. Characters simply aren’t well developed enough before the story kicks off.”
Movies 